Cookies on this website

We use cookies to ensure that we give you the best experience on our website. If you click 'Accept all cookies' we'll assume that you are happy to receive all cookies and you won't see this message again. If you click 'Reject all non-essential cookies' only necessary cookies providing core functionality such as security, network management, and accessibility will be enabled. Click 'Find out more' for information on how to change your cookie settings.

'Never again will a single story be told as if it is the only one.' - John Berger, G

People attending an event

The screen comes to life. The words ‘Foot and Mouth, directed by Lindsay Anderson’ flash across a sea of monochrome. It is 1955. A decade has passed since the end of the Second World War, and Britain is on the path to recovery. Yet, this path is marred by outbreaks of disease. This is a story of one such outbreak—of foot and mouth disease, which spreads among livestock. The screen shows a farm. One of the cows in the barn doesn’t seem too well. Two farmers inspect the cow, unaware that it is carrying Foot and Mouth disease. They do not think much of the cow’s symptoms and load the animal onto a truck which is headed for the local market. To us in the audience, this act of loading the animal on the truck is the last moment of peace. The script is painfully clear, written on the wall. As the truck totters down the open road, we know what is really being carried. Pathogens. Infection. Contagion. Chaos. And soon enough, chaos ensues. The only way to stop the disease now is to trace the routes and networks through which that cow travelled and cull all animals it affected. The culling begins. The sight of sickened animals is juxtaposed by gunshots. The face of the farmers who sold the infected animal flashes on the screen. If only they had acted differently, the voiceover now says, then we could have avoided this.

By ‘this’, the camera shows scenes of loss and destruction—the carcasses of livestock, the killing of animals to avoid spread, the huge economic losses. There have already been two outbreaks of this disease in the last five years, and the disease has devastated European neighbours too. A map shows the disease entering the UK from the outside—Europe—a sight reminiscent of war invasions. The message is clear. There is an insidious enemy in our midst, who must be driven out or arrested—it is the pathogen, invisible to the naked eye, but whose effects can be seen through and on the carrier (either infected or asymptomatic). But there is another enemy—ignorance— and the voiceover, clean, crisp and precise, stresses this: diseases are dangerous, but they spread not only through the will of the nonhuman microbe, but also through the faulty and ignorant practices of the public. 

 

Read the full story on TORCH website.

 

Similar stories

KEMRI renews collaboration with Wellcome Trust and University of Oxford

The Kenya Medical Research Institute (KEMRI) has signed a seven-year Memorandum of Agreement with Wellcome Trust, a UK charitable organization, and the University of Oxford, on Wednesday 27 November 2024, at the KEMRI Headquarters, Nairobi. Under this collaboration, Wellcome has awarded GBP 91 million (KES 15 billion) to support research over the next 7 years.